As the face of your company and the foundation of your brand, a logo is one hard-working graphic.
Harness good design to build your brand in print, on the web, in-store or in any other medium.
Maps, tables and instruction manuals: getting from data to information, and from information to understanding.
If that picture’s not worth a thousand words, to hell with it.
For over ten years, I’ve been helping organizations of all sizes create meaningful connections with their audiences and build effective, enduring brands with thoughtful, creative, solution-oriented graphic design.
I’ve worked with established organizations like Whataburger, Frito Lay, Samsung and Dallas Area Rapid Transit (DART), but I’ve also helped countless smaller companies break into their markets.
My experience includes a wide range of industries (including food products, retail, manufacturing, software, healthcare, charities and business services) reaching out to consumer, business-to-business and internal audiences.
Thanks to my large network of brilliant associates, I can scale my operation to fit your project, without sustaining a bloated overhead that unfairly inflates your costs. Plus, I can bring together the absolute best team for the job – not just the people I happen to have on staff.
This flexibility also allows me to offer a wide spectrum of services, without sacrificing quality.
Just as important, this structure allows me to work directly with you (not through an account executive or salesperson), ensuring nothing gets lost in translation.
Everything communicates. Whether your project is a logo, a training manual or a trade show booth, it’s ultimately a communication problem.
And though good writing is always crucial, the various visual elements can have an equally profound effect on the message the viewer receives. Even the medium you’re communicating in often influences the result.
Every single component combines in the viewer’s experience, either to simplify and amplify that message …or to confuse and muddle it.
In my mind, the job of the designer is much like that of a composer: to carefully orchestrate each element in order to create one harmonious experience, finely tuned to elicit the desired response from the audience.
This way to success. Every project is different, and I always tailor my services to fit your needs. But my contribution to your project typically includes:
stomping grounds playland Part coffee house, part indoor playground, Stomping Grounds is a place for parents and their kids to have their daily breaks.
For the opening of their flagship store in Sugarland, Texas, we worked hard to develop a brand that was whimsical and casual, but first-class and professional. It needed to be just as inviting to a five-year-old boy as to a thirty-something mom.
This logo establishes the coffee bean character which would become the centerpiece of the brand. It uses a palette of colors, line quality and typography that carefully marries the earthy, mature warmth of the coffeehouse with the playful, cartwheeling boldness of the playground.

parago is a consumer promotions firm based in Dallas, Texas.
For this logo assignment, we were challenged to create a logo that was very slick, formal and modern, but that somehow expressed the superior creative approach of the company.
The carrot-on-a-stick metaphor is not only perfectly appropriate to Parago’s core service, it’s also a funny, cartoonish image that contrasts nicely with the simple, conservative style of the typography. The result is a logo that you can’t help smiling at.

livelovelearn video biographies helps families create professional, broadcast-quality documentaries, capturing their stories on video for future generations.
To convince customers to invite LiveLoveLearn into their homes and share their family’s private stories, the brand needed to establish the company as professional and legitimate, but it also had to have a sense of warmth and empathy. At the same time, it had to be somewhat subtle and reserved, allowing the customer’s story to take center stage.

kmmb is a Dallas marketing and public relations firm, focused on helping small companies grow into large ones. The goal of this logo was to present the company as innovative, but also grounded.

premier grilling designs and builds high-end outdoor kitchens for homeowners. The goal of this logo was to create something bold, strong and durable… a logo you could stamp into stainless steal, or brand into a ribeye.

gizmo Marketed toward low-income and credit-challenged consumers, Gizmo was a “disposable mobile phone” – a simple, no-frills product that was a precursor to the pre-paid mobile phone. Mirroring the product, the logo was designed to be friendly, unassuming and approachable.

holley’s yarn shoppe is a place to learn and share your love of knitting, crochet and related crafts. The logo was designed to carefully blend a formal, Victorian style and a casual, whimsical nature. The intent was to make the store feel as warm and inviting as a comfy wool sweater.

transit world tour The 2005 annual conference of the American Public Transportation Association (APTA) was to be held in Dallas, hosted by DART. To promote the event to industry executives across the country, DART needed to sell the city as an attractive destination for conference attendees and their families. The solution was to capitalize on the rich history and variety of music talent that has come from the Dallas area. The DART logo was transformed into an electric guitar and integrated into a wide variety of images, including this 60s-inspired title graphic.

just for feet is a national chain of shoe stores. This new logo design was commissioned to provide a more fashion-forward and more fitness-focused face to the company, which had drifted too far toward the discount warehouse end of the retail industry.

luna skin care is a spa and salon in New Jersey. The logo was designed to reflect the monograms typically found on towels and robes, and to provide an understated, sophisticated brand for the location and its private line of skin care products.

valley view janitorial services One of the oldest janitorial companies in the Dallas area, Valley View believes it provides a superior level of service (evidenced by their impressive customer retention rates). But since many of its potential clients view janitorial service as a commodity, Valley View has struggled to distinguish itself in the industry.
Our solution (which began with this logo) was to create a brand reminiscent of 1950s vintage soap and home appliance ads. The strategy not only served as a reminder of Valley View’s heritage, but the simple, naive and straightforward language inherent to the style was refreshing, clean and fluff-free. It implied a “good ol’ days” work ethic and honesty, all delivered with a friendly smile.

madden asset management is a private investment firm based in Dallas, Texas. The goal of this logo was to create an icon that clearly indicated the company’s industry, and presented Madden as smart, professional and stable.

insomnia is a funky late-night coffee house in the Deep Ellum neighborhood of Dallas. The logo was intended to appeal to the dark humor and indie-rock style of Insomnia’s young, club-hopping customers.

the flatliners are a community-league hockey team in Plano, Texas, sponsored by a local heart hospital.

transit world tour campaign Dallas Area Rapid Transit (DART) manages and operates mass transit services in North Texas. For the 2005 annual conference of the American Public Transportation Association (APTA) to be held in Dallas, DART needed to sell the city as an attractive destination for conference attendees and their families.
To highlight a diversity, richness and excitement that many people don’t readily associate with Dallas, we chose a music theme, capitalizing on the long list of artists with roots in North Texas. That theme was introduced with an invitation in the form of a music CD, containing tracks from twenty Dallas musicians.
The project also included a trade show booth, event signage and even a set of custom-made electric guitars, inspired by the shape of the DART logo.
The design featured collages of contrasting colors, textures and materials to mirror the diversity exhibited in the music. The end result was fun, expressive and memorable.
gunns textile restoration branding Gunns provides specialty cleaning and repair of soft goods damaged by fires and floods.
For their branding materials, we began with the idea of “softness” – referring both to softness of material and softness of character. The former was obviously appropriate to the materials they work with, and the latter was essential to their customer relationship, given the emotional hardship that brings customers to Gunns in the first place.
We approached the the physical softness with visual cues that evoked memories of fabrics (a stitching pattern around border elements, and stylizing the logo to look like it was an embroidered tag). For the emotional side of softness, we combined text and images to tell stories about customers’ emotional connections to the material things that fill their homes. From heirloom blankets to wedding gowns to baby clothes to a favorite pair of shoes, the website says, “Some things are much more than possessions.”
stomping grounds playland branding Part coffee house, part indoor playground, Stomping Grounds is a place for parents and their kids to have their daily breaks.
For the opening of their flagship store in Sugarland, Texas, we worked hard to develop a brand that was whimsical and casual, but first-class and professional. It needed to be just as inviting to a five-year-old boy as to a thirty-something mom.
livelovelearn video biographies website LiveLoveLearn helps families create professional, broadcast-quality documentaries, capturing their stories on video for future generations.
For their website design, we expanded on the flowing lines of the logo, using the line to guide the eye through the page as it connects the logo to a series of illustrations sprinkled through the site. We echoed the flow of the lines with curved and waveform shapes (keeping straight lines to a minimum), which served to further soften and humanize the design.
The undulating, flowing design also creates a sensation of movement, symbolic of movement through time (and generations) and of the movement of video images.
valley view janitorial services branding One of the oldest janitorial companies in the Dallas area, Valley View believes it provides a superior level of service (evidenced by their impressive customer retention rates). But since many of its potential clients view janitorial service as a commodity, Valley View has struggled to distinguish itself in the industry.
Our solution was to create a brand reminiscent of 1950s vintage soap and home appliance ads. The strategy not only served as a reminder of Valley View’s heritage, but the simple, naive and straightforward language inherent to the style was refreshing, clean and fluff-free. It implied a “good ol’ days” work ethic and honesty, all delivered with a friendly smile.
united leather sales kit United Leather is a manufacturer of premium-quality custom leather seating for the home and office.
For their growing line of home cinema seating, the client needed a high-quality marketing piece to sell their product to designers, contractors and retailers. The challenge was to present their product as a crucial part of a premium home cinema, worthy of as much attention (and expense) as the high-end electronics and architecture that usually accompanies these luxurious rooms.
“Stop. Play. Recline.” The cover begins the argument that nothing complements premium cinema electronics like premium leather seating. Inside, the high-tech colors, typography and composition reflect the theme of the cover while offering contrast and emphasis to the warm, soft product photos. The over-sized 10.25in × 11.5in format, besides demanding extra attention, complements the large, plush leather chairs and with big, powerful audio and video systems.
gizmo product launch Marketed toward low-income and credit-challenged consumers, Gizmo was a “disposable mobile phone” – a simple, no-frills product that was a precursor to the pre-paid mobile phone.
Representing a completely new category of phone product, the brand had to distinguish Gizmo from the fray of phone products and calling plans, while communicating the freedom and control that this simple product provides.
After defining on “control” and “freedom” as the product’s benefits that appeal to all targeted audiences, we created a campaign with a playful spoof of socialist propaganda posters, positioning Gizmo as the “cell phone for the masses.” The bold design and copy demand attention as they offer a refreshing alternative to the mindless smiley-happy-people of cell phone and calling card ads of the time.
echo website Empowering Church Healthcare Outreach (ECHO) provides consulting services for churches to open non-profit health clinics in their communities.
For their website, ECHO needed to make the argument that these two things (churches and healthcare) could be combined sucessfully.
Inspired by the “outreach” in the company name, our solution began with a set of images featuring hands, which proved to be an especially expressive subject. Depending on the context, they could demonstrate a wide variety of concepts and activities, including prayer, community, help or medicine. And because all the images featured the same subject matter (hands), the religious images looked entirely appropriate next to the healthcare images.
We then divided the layout into quadrants, with the logo at the center, which subtly implied a cross. And, a cool blue and white color palette contrasted nicely with the warm hues of the photographs, providing a healthy dose of visual activity to counter the stability of the rectangular shapes throughout the layout.
rush-purcell wedding invitations When my sister told me she had found a pair of white Doc Martins to wear under her classic white wedding gown, I knew her invitations needed to be something more than ordinary. Inspired by her attire, we took patterns, materials and imagery typical of formal invitations and used them in unexpected ways, mixing formal with funky. All of this served as a backdrop for the central image (a series of sketches that show a pair of male/female symbols transforming into a single diamond ring), which provides warmth and meaning to the piece.
pegasus solutions brochure Pegasus, the leading provider of data technology to the hotel industry, needed a unique sales piece that would communicate the breadth of technology services Pegasus provides and emphasizing the company’s experience with the hotel industry. Also, this sales piece would need a pocket for standard letter-size inserts and other customized materials, but the client wasn’t interested in a stereotypical 9×12 pocket folder.
In this solution, hard, precise lines and illustrations of binary data streams are juxtaposed with soft, warm, hotel-room photography. This visual contrast hints at the sharp contrast between what Pegasus does (technology), and who they do it for (hotels). In turn, it demonstrates that the two aren’t incompatible, and Pegasus knows how to make them work together seamlessly.
The horizontal 9×12 format allows for standard-size inserts without looking standard. But to provide a less imposing, more intimate scale for the reader, the interior pages are reduced in size. The result is beautiful and memorable.
whataburger convention booth To attract investors at a franchise convention in Las Vegas, this booth capitalized on the famous a-frame style of the classic Whataburger restaurant, along with a wealth of beautiful professional photography of Whataburger restaurants and food products. We used these elements to help set the stage for a discussion of the past, present and future of this Texas fast-food icon.
whataburger safe & sound system was designed to help train employees about issues ranging from occupational safety to food preparation to cleaning procedures. The system included a wide range of elements. A few examples include:
Working with a team that included designers, illustrators, writers and Whataburger employees, managers and executives, each piece in the Safe & Sound system was carefully calibrated to include exactly the right content, delivered in exactly the right format. Each had to work well as a stand-alone communication piece, and seamlessly fit into the larger system. Icon systems, illustrations, cross-referencing and other useful design tools helped simplify the process, and the product.
After several rounds of testing and revisions, the final program was printed with durable, food-safe materials and inks, and distributed to every restaurant in the Whataburger chain.
ouachita trail hiking map Designed for a guidebook for the Ouachita National Recreation Trail, a 233-mile hiking trail in the Ozark Mountains of Oklahoma and Arkansas, this updated map attempts to improve on the earlier edition. In particular:
These design changes (and many others) allowed us to create a series of maps that were far more accurate AND contained far more information.
electoral college map Based loosely on a map published in the New York Times during the 2004 Presidential election, this map was created for a presentation on the 2008 race. It shows each state’s relative impact on the race (each square represents one vote in the Electoral College). Bright colors are used to emphasize the “toss-up” and “leaning” states, the main subject of the presentation.
drafting table woodworking plans These detailed instructions include measured drawings, three-dimensional digrams and parts lists for the construction of a six-foot drafting table with integrated flat files an shelving. Produced as shared content for a woodworking website, the 8-page document provides everything the ameteur wooodworker needs to complete this furniture project.
This plan is based on a drafting table I built for my own office.
early voting flyer In an effort to increase voter turnout, the Progressive Center of Texas wanted to educate Dallas County voters on the intricacies of early voting. This flyer attempted to boil down all the information into one double-sided sheet (which could be cheaply and easily photocopied and distributed). With careful attention to the design and the text, we managed to answer the following questions:
We think the result was far more clear, readable, informative and accurate than anything produced by the Dallas County Elections Department, the candidates, the parties or any other local political organizations. More importantly, we think it had a substantial impact in demystifying the voting process for thousands of new voters.












design, content & production This website was originally designed by Ben Rush in February 2009. All site illustrations, buttons, icons and other visual elements were created by Ben Rush. All copy was written by Ben Rush. Portfolio photography was created by Doug Davis at D-Squared Studios.
development This website was developed by Ben Rush, using XHTML, CSS and Javascript. In addition, the site makes use of jQuery 1.4.2 (an open-source library and selector engine for Javascript, developed by The jQuery Project) and jQuery.ScrollTo (a free jQuery plugin that facilitates the automated scrolling throughout my site, developed by Ariel Flesler).
Programming code is intellectual property, and should never be used without permission.
typography This site makes use of News Gothic FS and Square Serif, two font families copyrighted by FontSite Inc., with webfont licenses purchased from Fontspring. The fonts are enabled on this site via the @font-face CSS property, with syntax inspired by Paul Irish’s “Bulletproof @Font-face Syntax”.
Fonts are intellectual property, and should never be used without permission.
software Art and graphics for this site were produced using Adobe Illustrator CS3 and Adobe Photoshop CS3. The code was written in TextWrangler 2.1.3. Testing was aided by Web Developer 1.1.8 and FireBug 1.5.4 (free plugins for Firefox 3.6.8 Mac).
Software is intellectual property, and should never be used without permission.
hosting Web and email hosting provided by Orb Hosting. Domain name registered via GoDaddy.
site analytics This site uses the free Google Analytics service to provide in-depth analysis of site traffic.
what is a colophon? Most commonly added to the end of fine printed books, the colophon gives recognition to the physical and visual elements (and those who created those elements) that helped bring the author’s words to life. The colophon often names the book’s designer and printer and may list the printing method, the papers, the inks, the binding, the typefaces and other technical details that aren’t specified on the title page.
According to Wikipedia, “The term ‘colophon’ derives from the Late Latin colophon, from the Greek κολοφων (meaning ‘summit’, ‘top’, or ‘finishing’). In the ancient Near East, scribes typically recorded information on clay tablets. The colophon usually contained facts relative to the text such as associated person(s) (e.g., the scribe, owner, or commissioner of the tablet), literary contents (e.g., a title, [keywords], number of lines), and occasion or purpose of writing. Colophons... helped the reader organize and identify various tablets, and keep related tablets together.”
Read the full article.